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The heirloom passed down and still in tune! When ukulele enthusiast Romany Buckwheat opened a brown paper parcel that came in the post, she wasn’t prepared for the contents. It was a 100-year-old, Hawaiian-made ukulele. Not only that, it had belonged to her late father, Ronald Wood Paine, and now Romany’s brother was passing it to his strumming sister to keep it in use. How did it feel, after all these years, when Romany held the heirloom ukulele in her hands? “I was very thrilled to hold this much travelled, much loved uke of Dad’s, with gorgeous memories of the songs he used to teach us - The Plughole Song, Mush Mush, Isa Lei Susi.” The ukulele was acquired in 1924 when Romany’s father was on his way from the UK to Fiji where, as a natural scientist, he was involved in work with moths. His ship went via Hawaii. It is possible that the passengers were gifted the ukuleles or simply that Romany’s father took a shine and bought the instrument as a fine thing to carry around for impromptu entertainment. Romany said: “He and his fellow scientists from Cambridge University called themselves The Cantab Trio. They played at weddings and parties - his uke was well used! The Fijians used to sing ‘Isa Lei’ to folk on the ships leaving Suva. My dad used to play that song and many others to us kids.” The ukulele is so often associated with Hawaii - even its name means “jumping flea” in Hawaiian - that people think it was invented there. The answer is both yes and no. The instrument that we know today, and with a long connection to Hawaii, actually originated in Madeira. The wood and the shape changed due to availability of local materials but the two are connected very closely. The story of how one instrument traditionally made on an island off the west coast of Africa in the Atlantic Ocean travelled thousands of miles all the way across continents and oceans to an island in the middle of the Pacific is told in this article from Ukulele magazine. If you want to know a little more about the Portuguese immigrants who brought their musicality and instrument-making skills to Hawaii, here is a short article about the ships that carried 25,000 islanders on the long sea voyage from Madeira to Hawaii between 1878 and 1913. The ukulele bought by Romany’s father was made by the Kumalae family and you’ll see in the photos of Romany that the neck of the ukulele she is holding has the Kumalae trademark and name, including reference to a gold award won by the makers at an international exhibition in San Francisco in 1915. Here is an article, also from Ukulele magazine, that paints in some of that family’s history. Romany occasionally takes her dad’s precious ukulele to the Findhorn Ukulele Group, adding more tunes to an instrument that was first played over 100 years ago. Imagine if it could play all the tunes it has known from the start - it would be a very long concert!
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 [The stage is set with a cozy living room. An older lady, MABEL, stands in front of a ukulele case, holding a cup of tea. She addresses the audience directly, her tone dripping with sarcasm and mischief.] Ladies and gentlemen, gather ‘round. Let me tell you about the great injustice that has befallen me. I, Mabel Perkins, have been censored. By my ukulele group. Yes, the same group that thinks “Kumbaya” is a banger and “You Are My Sunshine” is edgy. They’ve rejected my request to add “Just Like A Virgin” to our repertoire. Just Like A Virgin! A song that’s been bringing people together since 1984—unless you’re Doris, Harold, and Betty, who apparently think it’s the musical equivalent of a striptease. [She sets her tea down dramatically and picks up her ukulele, strumming a single chord for emphasis.] Now, let me break this down for you. Doris said it was “inappropriate.” Doris! The woman who once brought a Jelly to the potluck that was still jiggling so much, it looked like it was trying to escape the plate. Inappropriate? Doris, honey, your Jelly has more moves than you do. [She strums another chord, shaking her head.] And then there’s Harold. Harold said, “Mabel, we’re a family-friendly group.” Family-friendly? Harold, we’re not exactly the Rolling Stones. We’re a bunch of seniors plinking away on ukuleles in the Sunshine Room The most scandalous thing we’ve ever done is when Betty accidentally played “Puff The Magic Dragon” twice in a row. And let me tell you, Harold, if your grandkids can handle TikTok dances that look like they’re summoning demons, they can handle a little Madonna. [She pauses, taking a deep breath, then leans in conspiratorially.] But Betty. Oh, Betty. Betty said, “Mabel, we’re too old for that kind of music.” Too old? Betty, you still think “Netflix and chill” means watching Murder, She Wrote with a bag of frozen peas on your knee. Too old? Honey, Madonna’s out there doing yoga poses that would make a pretzel jealous, and you’re telling me we’re too old? [She strums a few more chords, building up her confidence.] And let’s talk about the song itself. “Just Like A Virgin.” It’s a classic! It’s about… well, it’s about… okay, fine, it’s about that. But it’s also about new beginnings! About rediscovery! About… well, okay, mostly about that. But it’s got a great beat! And it’s got Madonna! And if Madonna can wear a cone bra and sing about it, then I can strum a few chords and sing about it too. [She puts the ukulele down and picks up her tea again, sipping it thoughtfully.] : But no. They shut me down. Said it didn’t fit our “image.” What image? The image of a bunch of seniors plinking away on ukuleles like we’re auditioning for a commercial for Fybogel? Please. If we’re going to be stuck in this rut, at least let’s make it a fun rut. [She sets her tea down again and picks up the ukulele, strumming a few more chords with determination.] MABEL: So, I’ve decided. If they won’t let me play it at the meetings, I’ll just play it on my own. In my living room. At full volume. And if the neighbours complain, well, they can take it up with Madonna. [She strums a final, triumphant chord and smiles at the audience.] MABEL: And who knows? Maybe one day, Doris, Harold, and Betty will come around. Maybe they’ll realise that life’s too short to play it safe. Until then, I’ll be here, strumming my ukulele, living my best life, and dreaming of the day we finally add a little Madonna to the mix. [She takes a bow, then picks up her tea and exits the stage, humming “Kumbaya” ]
 Exploring the Different Sizes of Ukuleles and Their Tunings
The ukulele, a small and versatile instrument, has captured the hearts of musicians and enthusiasts worldwide. Originating in Hawaii in the late 19th century, the ukulele is known for its bright, cheerful sound and portability. One of the fascinating aspects of the ukulele is the variety of sizes available, each offering a unique tone and playing experience. Additionally, different ukulele sizes are often tuned differently to optimize their sound. In this article, we’ll explore the most common ukulele sizes and how they are tuned. 1. Soprano UkuleleThe soprano ukulele is the smallest and most traditional size, often considered the "standard" ukulele. It typically measures around 21 inches in length and has 12 to 15 frets. Its compact size and high-pitched, bright tone make it a favorite for beginners and traditionalists. Tuning: The soprano ukulele is usually tuned to G4-C4-E4-A4 (standard reentrant tuning). This means the G string is tuned higher than the C and E strings, creating a classic, jangly ukulele sound. Some players also use linear tuning (G3-C4-E4-A4), where the G string is tuned an octave lower for a deeper tone. 2. Concert UkuleleSlightly larger than the soprano, the concert ukulele measures around 23 inches in length and has 15 to 20 frets. Its larger body provides a fuller, warmer sound while still maintaining the portability of a smaller instrument. The concert ukulele is a popular choice for players who want a bit more room on the fretboard. Tuning: The concert ukulele is typically tuned the same as the soprano: G4-C4-E4-A4 (reentrant) or G3-C4-E4-A4 (linear). The larger body allows for a richer resonance, making it sound more robust than the soprano. 3. Tenor UkuleleThe tenor ukulele is larger still, measuring around 26 inches in length with 15 or more frets. Its increased size gives it a deeper, louder, and more resonant tone, making it a favorite among professional musicians and performers. The tenor ukulele’s longer scale length also provides more fret space, making it ideal for fingerpicking and complex chord shapes. Tuning: The tenor ukulele is most commonly tuned to G4-C4-E4-A4 (reentrant) or G3-C4-E4-A4 (linear). However, some players experiment with alternate tunings, such as D4-G3-B3-E4 (known as "D tuning") or even low-G tuning for a more guitar-like sound. 4. Baritone UkuleleThe baritone ukulele is the largest of the four main sizes, measuring around 30 inches in length. Its deep, rich tone is closer to that of a classical guitar, making it a great choice for players who want a more mellow sound. The baritone ukulele is often favored by guitarists transitioning to the ukulele due to its familiar tuning. Tuning: Unlike the other ukulele sizes, the baritone is tuned differently: D3-G3-B3-E4. This tuning matches the highest four strings of a guitar, making it easier for guitarists to adapt. Its lower pitch gives it a distinct sound that sets it apart from the smaller ukuleles. 5. Less Common SizesIn addition to the four main sizes, there are a few less common ukulele variations:
Choosing the Right Ukulele for YouWhen selecting a ukulele, consider your playing style, the sound you’re looking for, and your comfort with the instrument’s size. Beginners often start with a soprano or concert ukulele due to their affordability and ease of play, while more advanced players may gravitate toward tenor or baritone ukuleles for their versatility and richer tones. ConclusionThe ukulele’s variety of sizes and tunings makes it a uniquely adaptable instrument. Whether you prefer the bright, cheerful sound of a soprano or the deep, resonant tones of a baritone, there’s a ukulele out there for everyone. By understanding the differences in size and tuning, you can choose the perfect ukulele to match your musical goals and preferences. Happy strumming!   Take one very enthusiastic, community-minded person, add in a love and a talent for music, and a joy in helping to set up new things - and you end up with Ken Walker and the recently established Findhorn Ukulele Group. Ken, who has been part of the community for only a few years, has a lifetime’s experience of music, playing a variety of instruments and running events. His first instrument, at four years old, was the accordion. He went on to learn piano and by the age of ten he was a church organist. So how did the ukulele become Ken's latest interest? Ken loves trying out new instruments and a few years ago he decided to buy his first ukulele. He soon discovered that ukuleles have seen a huge resurgence of interest around the world in recent years and a lot of schools are swapping recorders for ukuleles as a first instrument to teach primary children. But still the next thing to do hadn’t clicked, until a visiting community member Lonnie Gamble stayed with Ken and his wife Susie Minto at their home in the summer of 2023. Seeing a house full of instruments, Lonnie soon engaged Ken in a shared conversation about music and it transpired that ukulele is Lonnie’s favourite instrument. Susie and Ken set up a music session for Lonnie at their home and soon the talk about creating some kind of ukulele group kicked in. Lonnie as it turns out lives in Fairfield, Iowa and the two men joked about setting up simultaneous ukulele groups with the same acronym - Fairfield/Findhorn Ukulele Group - and going international. Lonnie directed Ken to vast depositories of freely accessible ukulele tunes online and there was no him stopping after that. Within days of Lonnie heading back to the US, Ken put out the word through community links on Facebook and lo and behold the first Findhorn Ukulele class took place in September 2023 with 14 folk eagerly awaiting their first lesson. Group by group, the players - most of whom had never played an instrument before - gave it their best shot and pretty much everyone moved on from the beginner classes to the developing group, ie FUG. Not all players are able to meet regularly but they stay in touch through a whatsapp group and Facebook announcements. Concert parties happen as often as folk are available and the ukulele players are regular participants of community events such as the Artists Hunt, sharings in the Universal Hall, the summer markets, just about anything that can accommodate a few ukelele players. The next development was to organise a ukulele festival at Findhorn which will take place in September 2025. The Universal Hall has been booked, along with other venues, and tutors have been signed up. Local accommodation providers have been contacted and bookings are coming in already. Some final words from Ken: “Throughout my life I have been involved in music, as a professional musician, composer, studio artist and as a performer. The Findhorn Ukulele Group is exciting for me because it is the first time I’ve been involved in a community music group. I’m working with people who are choosing this as a hobby, rather than with professional musicians. Most of the members have never played an instrument before and yet they are willing to give the necessary time and effort to do something that gives them a sense of achievement and boosts their confidence and wellbeing. Playing ukulele is also more than about the music. We are bringing people together without any pressure, just for fun and creating music together. “Creating events gives me a buzz. There’s something about moving something from a concept to a reality that makes my heart sing. And then when people come to events like the Ukulele Festival, or the Garden Week that we ran last year at East Whins, and I see how much they appreciate it, become part of it, it’s clear that it’s not something that is organised for them, it is something they become part of. “My hope for the ukulele festival is that everybody feels a part of it. Everyone who attends as a player, a singer, a tutor or even people coming to hear us play at the charity concert all play a part in making it a success. We organise it but everyone owns it.”   The Psychology of Ukulele Playing
The stage is set with a cluttered desk, a ukulele, and a chalkboard covered in nonsensical diagrams. The Nutty Professor, wearing a lab coat with a Hawaiian shirt underneath, enters, holding a ukulele and a cup of coffee that’s clearly been spiked with something stronger than cream Ladies and gentlemen, welcome to today’s lecture: *The Psychology of Ukulele Playing.* Now, I know what you’re thinking: “Professor, why are you holding a tiny guitar and why does your breath smell like a piña colada?” Well, my friends, the ukulele is not just an instrument—it’s a "cry for help." Let’s start with the basics. The ukulele is the only instrument that sounds happy even when you’re playing it wrong. You can strum two strings, miss three, and still sound like you’re auditioning for a Britains Got Talent.. But why? Why does this tiny, four-stringed menace bring so much joy? He strums a discordant chord. Ah, yes. That’s the sound of repressed childhood trauma. You see, the ukulele is the musical equivalent of a therapy dog. It’s small, it’s cute, and it makes you forget that your life is falling apart. But don’t be fooled—this instrument is a gateway drug. Start with “Somewhere Over the Rainbow,” and next thing you know, you’re wearing a grass skirt and teaching yoga on a beach in Maui. He pauses, looking around suspiciously. Now, let’s talk about the "players." Ukulele enthusiasts fall into three psychological categories: 1. "The "Overcompensator." This person buys a ukulele because they couldn’t handle the pressure of learning a "real" instrument. Guitar? Too many strings. Piano? Too many keys. But the ukulele? Four strings, two chords, and suddenly you’re the life of the party. It’s like showing up to a marathon with a pair of roller skates and saying, “I’m here to win.” 2. "The Midlife Crisis Escapee." This is the person who traded their sports car for a ukulele. They’ve realised that leather seats and a roaring engine can’t fill the void in their soul, but a plastic ukulele from Aldi can. They’ll spend hours practicing “Blowin' In The Wind” hoping it will make them feel young again. Spoiler alert: it won’t. 3. "The Unhinged Optimist." This is the person who genuinely believes the ukulele can solve world peace. They’ll show up to a protest with their ukulele, strumming “Imagine” by John Lennon, and wonder why no one’s handing them a Nobel Prize. Newsflash, Karen: the only thing you’re solving is your neighbor’s insomnia. He strums another chord, this time more aggressively. But here’s the real kicker: the ukulele is a "lie." It tricks you into thinking you’re talented. You play three chords, and suddenly you’re Ed Sheeran. But let me tell you something—Ed Sheeran doesn’t play the ukulele. The ukulele plays "him." It’s a symbiotic relationship, like a clown-fish and an anemone, except the clown-fish is a ginger, and the anemone is a hit song originally sung by Bob Dylan He takes a sip of his spiked coffee, spilling some on his lab coat. And don’t even get me started on the *ukulele community.* These people are like a cult, but with more Hawaiian shirts and less Kool-Aid. They’ll invite you to a “ukulele jam session,” which is just a fancy way of saying, “We’re going to sit in a circle and butcher ‘Hey Soul Sister’ for three hours.” And if you try to leave, they’ll guilt-trip you with a rendition of “Leaving on a Jet Plane.” He puts down the ukulele and picks up a banana, pretending it’s a phone. “Hello, is this the Crime Stoppers? Yes, I’d like to report a crime. A group of adults are sitting in a park, playing ‘Riptide’ on repeat. Send help.” He drops the banana and picks up the ukulele again, strumming dramatically. In conclusion, the ukulele is not just an instrument—it’s a psychological experiment. It’s a test of your patience, your sanity, and your ability to smile while your ears bleed. So the next time you see someone playing a ukulele, don’t judge them. Instead, ask yourself: “What trauma led them to this moment?” And then run. Run as fast as you can. He finishes with a flourish Thank you, and remember: life is like a ukulele. It’s small, it’s confusing, and if you don’t tune it properly, it’s going to sound like garbage. He bows and exits the stage............................................ |
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